Showing posts with label modern life. Show all posts
Showing posts with label modern life. Show all posts

Sunday, January 4, 2015

beached and other mysteries


Here at the start of a whole other year my friends have made it safely ashore. It was touch and go for a while what with the oars having been lost in the maelstrom - which you may remember, but if not:


Anyway, we'll have to wait to see what happens next to our intrepid pair and those who pay such close attention to them. What could they all be up to?

Speaking of ongoing mysteries, there's an intriguing case across the street where a small apartment building has appeared to be largely uninhabited for all of the past few years we've lived here. From the end room of our place we can see the long side of the building where there are never any lights on any of its three floors. Rarely, there'll be a window lit in one room or another at the streetfront, although never for long. In winter the sidewalk is cleared and a little smoke sometimes rises from a chimney. We've never seen a 'for rent' sign or evidence of tenants. With no further evidence than this (and our active imaginations) we've come to conclusion the place is inhabited by a wealthy recluse.

At least one mystery that's confounded a number of us in the online community does seem to have a solution as described in this fascinating excerpt from an article called Ai Weiwei is Living in Our Future:

Very recently I found another way in which Google appropriates my pattern recognition abilities to further its own cause. I had to fill in a ‘CAPTCHA’.



CAPTCHA’s are used to battle spambots. By recognizing a pattern that isn’t easy to read for a computer, you are proving that you are a human. Millions of CAPTCHA’s are filled in every hour. Luis von Ahn, a computer scientist, didn’t want to waste this cognitive capacity and invented the ‘reCAPTCHA’.



Through typing in hard to read words you helped to digitize newspaper archives and books. You always had to type in two words: one that the computer would already know and another which the computer would be a bit uncertain about. Google bought reCAPTCHA in 2009.

A short while ago I noticed that you didn’t have to type in book texts anymore when filling in a reCAPTCHA. Nowadays you type in house numbers helping Google, without them asking you, to further digitize the physical world.




Perhaps there is information about that place across the street, but personally, I prefer it remains a mystery. I stopped using Google for general searches in favor of DuckDuckGo several years ago, but Blogger is Google based so there's no getting around that. However, as you'll see if you read the article, our ideas about personal privacy have already been superseded. George Orwell could never have imagined people would eventually line up willingly to pay Big Brother.


Of course, it amused me too when we watched a couple of episodes of 'Walking Dead' and I realized the 'zombies' likely performed for free. Humans are strange creatures as Crow has remarked at every opportunity.

Monday, September 15, 2014

post modern irony with Crow



me: Anything interesting in the mail today?

Crow: Not really.
Here's a 'You're not covering the cost of all these mailings' charity request.
You got a 'You're not attractive enough' women's magazine with an article on swimsuits that minimize all your bodily flaws.
Here are some 'You're not stylish enough or ostentatious enough' catalogs - and coincidentally, an invitation to go deeper into debt from a credit card company.
And here's a news magazine to identify the trend of the week you're missing.

me: Yikes! Why do I get the feeling that society is trying to make us discontented with everything about who we are?

Crow: I suppose if people thought about real issues and needs instead of manufactured desires, the economy would collapse and we'd have total anarchy.

me: So pitching this junk would make me some kind of terrorist, eh?

Crow: Yes, it's your patriotic duty to buy distractions from a simple life. *





* Our conversation is a slightly revised version of one between Calvin's (of Calvin and Hobbes) beleaguered parents in 1994. It ends with this:

Calvin: Hey, Mom and Dad! I just saw a bunch of products on TV that I didn't know existed, but I desperately need!



It would appear things haven't changed much, but for the fact all this arrives online too :)

Wednesday, August 21, 2013

constructive Crow



Greetings from distant places, dear susan,

As usual, travel has broadened my perspective but, more and more often lately, I must shake my head in amazement at the vagaries of humankind. Weary-winged after my flight across the Mediterranean, I'd  barely alit on the bow of a passing sloop when what should I see but yet another monstrous edifice blighting this enchanting shore. What you see in this picture quickly snapped by one of the fishermen is the 47 stories tall Intempo Tower that rises head, shoulders, torso and thighs above its neighbors in what formerly was the tiny fishing village of Benidorn, Spain. What makes it eye-rollingly outlandish is that in their haste to construct dwellings more lavish than others nearby, the builders neglected to emplace elevators suitable for carrying people and their furnishings to floors above the twentieth. Yes, the developers decided to add twenty-seven floors to the original design without considering this seemingly essential issue for those born without wings.  Their response is a plan to add exterior lifts, but I can't help but wonder how the tenants will react to strangers passing through their bedrooms on their way to their own apartments.

This egregiously bizarre architectural anomaly only goes to prove my long held opinion that people are better off living closer to the ground. High-rises have become endemic in modern cities mostly as a result of the cheap and unimaginative mass production logic of big business. Just as there are famous brand name food purveyors on the corners most everywhere in the western world and beyond, so too are high-rise apartment and office buildings making your cities indistinguishable from one another. True, some of the buildings are entertaining to look at (mostly at night), but they are invariably inhuman in size and scope. Furthermore, there are problems inherent in skyscraping habitations that may not be apparent on first glance but, as energy prices continue to rise, we may yet see the renaissance of human scale architecture - the kind that still exists mostly in old Europe whose central cities are themselves untouchable monuments, but whose outskirts too have often been redeveloped - up.



Here's a charming view of Venice painted by my old friend Canaletto in the days when nothing was taller than a church steeple.

Anyway, let me make a couple of points about why modern high-rises might not be the entirely correct solution to the way people live:

1. Wind speed increases with height. This isn't a problem for birds who may wish to migrate, but you might want to consider that if you open windows for some cross ventilation on the forty-second floor you may want to place bricks on any loose paper.

2. If your windows don't open, especially in a building with glass curtain walls, then on a hot day without power provided by cheap fossil fuels the temperature inside will rise to baking levels.

3. Water pressure to all but the lowest floors of a building will disappear during a power outage.

4. In a period of unaffordable energy costs, people would only be able to occupy floors as high as they could physically climb. For most people, that limit is four or five flights of stairs and may be less if you're carrying buckets of water.

In the long run I imagine skyscrapers might make excellent aviaries. Goodness knows, we birds could do with a break.

Salutations to you and all your compatriots. Please remember to keep the brandy warm and the fruitcake old and dry. I shall return soon.

Devotedly yours,
Crow

Monday, June 24, 2013

other people's work - part 92 - rudi hurzlmeier


I've been an admirer ever since I first ran across the work of German artist Rudi Hurzlmeier at least ten years ago when I found his Krahe (Crow) picture on a greeting card at Powell's in Portland and immediately went in search of more images. Even though he's both extremely prolific and very well known in Europe there's almost no information about him in English. The wiki page (after translation) says this:

After the demolition of his school career, he worked as a gas station attendant, among other things, male model, parachute Artist, autopsy assistant, Hotelbuskoch, tilers, gigolo, set designers and antique dealers.


Not much to go on but mostly enough. He maintains a fine balance between an almost classical western painting style and a somewhat twisted but mostly sweet sense of humor. Here are a few favorites - including the original Krahe, who you probably recognized.


If you don't mind I'll grumble a bit in between examples of his wonderfully wry artwork.


It's finally summer after a long winter and almost non-existent spring but we have to keep the windows and curtains closed all day because the workmen still arrive early every morning.


We knew they were going to replace the windows but didn't know they'd be removing and replacing all the bricks first.


The sound of multiple mortar saws is not conducive to my own artistic endeavors, but I can try to imagine being half as funny as Rudi Hurzlmeier when I look at his pictures instead.


Even though the windows are closed, dust clouds the rooms. No matter how much I vacuum, dust, sweep and wash, I'm sure this cave is much tidier. I've pretty much given up til they've gone for good.


I had to seal up my paints because brick dust gets into everything.


Just when we think they must be almost done, that there couldn't possibly be more bricks to remove and replace, they fool us by coming back down to grind out even more mortar.


I wouldn't mind so much but for the fact it's been going on for a month already and so far there's been no sign of any new windows. Goodness knows how long that will take. If I'm not going to howl, I may as well enjoy the dance.


If anyone wants to come and visit I tell them to look for us inside the densest cloud of dust in the city.



There's not much more I can say about Rudi Hurzlmeier's work that it doesn't say for itself. I hope you've liked it too. At least we can always walk along the beach and one of these fine days I may be able to return to those drawings that are currently under wraps.




Saturday, May 18, 2013

crafting complaints



A couple of Sundays ago I finally got around to visiting a local crafts show that takes place around here twice a year. I'm not what I would consider to be a real craftsperson by any stretch of the imagination but anyone who's looked at phantysythat these past few years will be well aware I do occasionally fall into the habit of putting things together that weren't there before. This is one of those things. I went to the craft show, didn't see any little silk beaded boxes, and thought I'd make another. Naturally, the first thing I did was to forget totally how long it took me to make the first one. I think it was a week. The new one took four days so I guess that's an improvement.

It turns out that just about any time I decide to work on something there will always be an element that must be purchased before I can get on with the project. This time I needed some embroidery thread and had to look online for a local place that sells this now quaint item. What struck me then (as it has before) when I looked through the listings is just how many people use Yelp to complain about businesses. Most of us will either not notice or not be bothered by a salesperson who isn't completely attuned to our needs during a transaction. Some people, though, will take umbrage at anything they consider a slight or an insult to their self image. These people will rush home to their computers or smart devices and immediately sign in to Yelp to write a furious complaint. Years later that record of temporary grievance remains even after most everyone involved is long gone. I'm reminded of those people who give one star reviews of books they've purchased from Amazon because a page was bent. Cretins.

All this reminded me of a television program made for the BBC by Adam Curtis in 2002 called The Century of the Self. Sigmund Freud may have invented the Self, full of unspoken dreams and desires, in 1900, but it was his American nephew, Edward Bernays, who packaged it and put it on to the market. Suddenly, everyone wanted one. And, of course, no one wanted one that was quite the same as anyone else's. Bernays's great genius was to first sell Uncle Siggy's ideas of the unruly subconscious to the American public and to American business. You no longer had to offer people what they needed; by linking your brand with their deeper hopes and fears, you could persuade them to buy what they dreamt of. Equipped with our subconscious wish-lists, we could go shopping for the life we had seen portrayed in the advertisements.

In Bernays's future, you didn't buy a new car because the old one had burnt out; you bought a more modern one to increase your Self-esteem, or a more low slung one to enhance your sense of your sex-appeal. You didn't choose a pair of running shoes for comfort or practicality; you did so because somewhere deep inside you, you felt they might liberate you to 'Just Do It'. And you didn't vote for a political party out of duty, or because you believed it had the best policies to advance the common good; you did so because of a secret feeling that it offered you the most likely opportunity to promote and express your Self. 'Our people,' said Herbert Hoover, 'have been transformed into constantly moving happiness machines.' Century of the Self is a truly great series that happily is available to watch free online if you've never seen it.

In case you don't have time right now to watch a four part, four hour documentary, I'll attach a short film that pretty much gets the point across:

Shave it from 3DAR on Vimeo.


By the way, I had to order the embroidery thread online. Thank goodness for the benefits of the internet. 

Sunday, April 14, 2013

unintended consequences



* Having made the decision to live in rented accommodations long ago, it's been my experience there are certain signs to watch for when you begin to suspect the current arrangement may no longer be conducive to a peaceful lifestyle. This is one of those stories.

At the time we'd been living in Portland for nearly three years, residing in a type of complex known as a California courtyard apartment, where a pair of two storey buildings faced one other across a heavily planted median. The eight ground floor places, four in either building, were spacious two bedroom apartments with broad windows looking out at the garden. We lived in one of those. Above them were twice that number of studio apartments accessed by stairways and long balcony decks. The place was quite old as evidenced by the age of the plantings - huge camellias, thick clusters of azalea and impenetrable rhododendron bushes - which masked, but didn't really hide, the opposite building.

Time passed with us mailing the monthly rent checks and rarely talking to the guy who'd owned the place for decades. One day there was a knock at the door. I opened it to find a small well dressed woman holding a briefcase standing next to a respectable looking middle aged man wearing a suit. They looked like insurance agents or active proselytizers for some religion except for the fact the man was also wearing a brand new tool belt. The woman introduced herself as the new owner, gave me copies of the legal documents and a card with information about where to mail the rent checks. She also said she had no experience with rental property ownership so had engaged her next door neighbor (the now smiling man) who had often thought about being a contractor. He would be hiring and overseeing a crew that would make necessary repairs to the buildings..

One of the first things he and his crew did was to remove half of the support columns for the studio apartment access deck for the building across the way. They probably intended to replace them but left for the day without doing so. That night the whole midsection of the structure fell down. Happily nobody was hurt but the fire department had to be called to rescue the people stuck in their second floor places. I have no idea what kind of fines were levied but that didn't stop the renovations taking place. Their next plan was to redo the plumbing in all the studios, a disturbing enough process to listen to in the first place, but made so much worse when it turned out that every time someone upstairs used the shower, sinks, or toilet, water cascaded down the walls into our kitchen and bathroom. By then we'd begun to search for a new place but didn't find one that suited us quite soon enough. It was February by then, a cold wet month just about everywhere as you well know. We came home from work one afternoon to find our bedroom windows boarded up and broken glass all over the bed, bookcases, night table and floor.

The man hadn't quite made it back to his car when we found him making ready to leave. 'Oh, that?' he responded to our outraged protests, 'We had a little accident with some lumber but we'll get new glass for you in a few days.' Although he affected surprise when we insisted he clear up the broken glass he did call over a couple of his boys to help. So it got fixed, mostly, but a week later we found a new temporary home.

It wasn't the first or last time we witnessed renovations go wrong but it reminded me of a weakness often found among people. That man might have been a well trained and skilled member of his chosen profession but he was no carpenter or plumber. What he had was the mistaken confidence that he could master anything. What troubles me is that same unfounded confidence that leads people who know nothing about the environment to make even worse mistakes.

It's a problem of scale.

* Apologies but some images aren't worth more than five minutes of drawing time.


Saturday, August 20, 2011